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Publisher puts the ‘lit’ back in literature

Will Evans, the founder of Deep Vellum Publishing, is also the co-founder of the Dallas production
company Cinestate. Photo by Jesus Ayala/The Et Cetera
Will Evans, the founder of Deep Vellum Publishing, is also the co-founder of the Dallas production company Cinestate. Photo by Jesus Ayala/The Et Cetera
Will Evans, the founder of Deep Vellum Publishing, is also the co-founder of the Dallas production company Cinestate. Photo by Jesus Ayala/The Et Cetera

A slight breeze blows through the open door of the Deep Vellum bookstore. The store is narrow, but the ceiling is tall and the shelves almost reach to the top. Two women sit at the front desk having a conversation over coffee as customers browse the shelves. Soft indie music sets the atmosphere, making it easy to get lost in the mountains of literature.

Will Evans, the founder of Deep Vellum Publishing and its bookstore, walks briskly inside and immediately and almost imperceptibly changes the atmosphere from a lazy Tuesday afternoon to a productive one.

“Why is this right here?” Evans yells playfully. “You can’t see it when it’s sitting right on top of this one.”

Evans stops talking long enough to walk over to a center display table and illustrates his point to Christina Rodriguez, the general manager, for letting a book block the view of another one.

“Well, maybe that’s because someone was looking at that one and set it there,” Rodriguez replies.

Evans walks over to the front desk and talks with his assistant Tanya Wardell. In spite of standing a couple inches shorter than his assistant, Evans’ personality and presence seems to fill the entire bookstore.

Evans is not only a publisher and bookstore owner, but he’s also a literary translator. Originally from North Carolina, Evans said that his interest in translated literature stemmed from one significant moment.

“In ninth grade, I accidently read a Russian novel,” Evans said. “It was for world literature and I had to write a book report on a book not originally written in English, and I thought ‘how am I going to read it if it’s not in English?’ And that was the first introduction I ever had to the concept of translation.”

After reading Maxim Gorky’s “The Life of a Useless Man,” Evans became interested in Russian literature. When he got to college, he decided to take a course on 19th century Russian literature and translation and ultimately changed his degree to Russian culture.

Then Evans was given the opportunity to be the tour manager of his friend’s band and manage the sale of their merchandise.  He started working in the music industry booking bands, splitting five years between Los Angeles and Austin.

He later decided to attend graduate school at Duke because it was closer to where his wife was attending law school.

It was at Duke that he translated the Russian novel, “Fardwor Russia.”

During the translation process he became aware of how few books were translated for publication in America.

“In America there are 300,000-400,000 books published every year,” Evans said. “And of those less than 3 percent are translated, but that includes everything published like children’s books, cookbooks, new editions of the classics. For new translations of literary works, it’s like 0.1 percent, 300-500 books a year.”

When reading the blog of Chad Post, the man who runs Open Letter Books, another independent publisher whose books Deep Vellum carries, Evans was inspired to start a publishing house and publish translated books.

“My wife got a job offer in Dallas so we moved here and I looked around and there were no literary publishing houses and no independent bookstores selling new books,” he said. “So I started Deep Vellum Publishing as a way to build a literary community around translation.”

Wardell, who has been working with Evans for more than a year, first found out about Deep Vellum and its owner through an article that mentioned the publishing house and immediately she knew she had to be a part of it.

“Will is my idol, I guess,” Wardell said. “He is someone I deeply respect. He’s done a lot for Dallas, the literary arts community in Dallas and the international community. One of his main drives is making literature accessible to everyone.”

Evans sees the current American publishing scene as a problem that can be fixed through publishing translated literature.

“Of all those books published in the U.S., they’re all American authors and they’re all in English, and it’s a perfect metaphor for the system we have in the U.S. today,” Evans said. “We are not engaging the rest of the world. We think we are the best and we have no idea what the rest of the world feels about anything. Literature is a way of delving deep into the conditions that effect humanity and it’s a way to artistically render that.”

Evans said translated literature can help readers find a connection with someone from anywhere in the world if only translation was more prominent.

“When you read literature, not only does it develop the capacity for empathy as the reader, but it also teaches you different facts, histories and the way that other people from different parts of the world see reality,” Evans said.

Evans’ goal of creating an interactive community around literature, translation and its authors is being realized. He signs international authors to Deep Vellum Publishing and  translates their work through the American Literary Translators Association, a group founded at the University of Texas at Dallas in 1978 that specializes in literary translations. He then distributes these translations through Deep Vellum’s bookstore.

“We’ve brought 12 of our authors to Dallas,” Evans said. “Twelve of our 23 authors. We also take them to New York, which is the capitol of the literary world, and then we bring them down here.”

As general manager, Rodriguez has a soft spot for the Deep Vellum titles and for Evans’ passion for the literary world.

“Will is probably one of the best persons I’ve met, ever, in the world,” Rodriguez said. “He’s the best dude. He’s just very charismatic and makes you care about what he cares about. He has an energy that definitely transcends to everybody.”

Not only does Evans translate books, sign authors and publish their books, he is also working on starting a book of his own.

“I tried writing, but then I started studying Russian literature and I didn’t think anything I would do could compare to the glory of Russian literature,” Evans said. “Now I’ve got some stories I want to tell so, I’ve started writing for the first time in a long time.”

Charismatic and a little on the talkative side, Evans is carving out a stronghold for translated literature, from which he intends to change perspectives and change the world, and he’s doing it all right here in Dallas.

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    MikeDec 16, 2017 at 11:58 pm

    This “editor” is a pretencious d-bag and should never write another story again.